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A score comprising manipulated images of organic shapes is simultaneously sonified by performers and software. Three performers read from the same scrolling score in three different ways: Player 1 reads semantically with the notation indicating pitch vertically, duration horizontally and shade timbrally, Player 2 reads the notation as tablature, spatially indicating which region of their instrument to be stuck with shade indicating the manner in which it is stuck, and Player 3 as non-semantic graphical notation, realising the it primarily an aesthetic indication of the character of the sound to be created.

credits

from sacrificial zones: chamber music XI [2014], released April 4, 2014
Marina Kovolou - cello, Lindsay Vickery - Bass Clarinet, Michael Terren - Piano and Sam Gilles - Laptop.

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Lindsay Vickery Perth, Australia

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