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Mirovia Ocean [2021] for chamber orchestra and electronics
Lindsay Vickery
 
Mirovia is conjectured to be an ancient superocean that surrounded the supercontinent Rodinia in Neoproterozoic Era 1,000 million to 541 million years ago. Like the author’s Iapetus Ocean [2020] , the work is intended as a companion to a set of realtime generative "Tectonic" works Vaalbara [2008], Rodinia [2016] and Pannotia [in progress], functioning as a non-realtime testing site for notational experimentation.
 
The work uses a scrolling score played by the Decibel Scoreplayer on iPads which can be used for synchronised networked telematic performance. The electronic component comprises live audio processing applied including spectral manipulation, threshing, and temporal and harmonisation effects. The following “score” is a compilation of parts and therefore contains overlapping materials. In a performance each player reads from an individual part.

credits

from chamber music XVIII [2021​/​22], released May 28, 2021
The recording for ACMC21 was made by performers from Decibel, GreyWing Ensembles and others in Melbourne , Brisbane and Perth.

Piccolo – Kirsten Smith
Flute – Cat Hope
Clarinets and Saxophones – Lindsay Vickery
Trumpet – Dan O’Connor
Horn/Trombone/Tuba – Ewan Potter
Piano – Lindsay Vickery
Violins and Viola – Aaron Wyatt
Cello and Double Bass – Tristen Parr
Percussion – Louise Devenish and Vanessa Tomlinson

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