We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/

about

Invisible Symmetries began its life as a work for solo guitar written for Peter Ellis. It belongs to a series based on the same cypher or number pattern. This series explores systems of organic growth developed from the same generating pattern but resulting in different outcomes. Many of these works - such as Leo Szilard [1990], Cyphers [1991] and Phase Matrix [1993] were premiered by Magnetic Pig, the electronic chamber music group I was associated with during the 90s. In Invisible Symmetries the character of the sections varies from 'motor rhythm' to very intimate expressive rubato to bravura, taking in a wide range of the tonal, contrapuntal and rhythmic textures. In many ways it represents a summary of the techniques I employed during this period (91-95), and as such seemed a fitting tribute to Magnetic Pig for their 10th anniversary concert in 2002.

credits

from invisible symmetries: chamber music II [1991​-​1995], released October 27, 2012
Magnetic Pig: Jessica Ipkendanz (violin), Lindsay Vickery (saxophone), Philip Waldron (double bass), Stacey Borich (percussion) and Cathie Travers (keyboard).

license

all rights reserved

tags

about

Lindsay Vickery image

Lindsay Vickery Perth, Australia

contact / help

Contact Lindsay Vickery

Streaming and
Download help

Report this track or account

If you like Lindsay Vickery, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Saxophonist Isaiah Collier chats about his new LP and the influence of Pharoah Sanders.
listen now