Notions of continuity and disjunction inform these improbable games. The structure of the work consists of several moments of synchrony between the performers that emerge from their own fragmented components. The actual iteration of the formal structure is altered in each performance. To this end the score is generated in two modes: the first in which each measure (and the length of time it is to be played) is chosen at random and the second in which sequences of measures (and a fixed tempo) are displayed for the performer. In this sense it is an example of a “real-time” score, where the music appears before the musicians as they play it.
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024