scratchpad (works in progress)

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1.	untitled 1 (matt jones) 04:03
2.	untitled 2 (matt jones) 03:21
3.	untitled 3 (matt jones) 05:01
4.	untitled 4 (matt jones) 03:04
5.	untitled 5 (matt jones) 02:05
6.	untitled 6 (matt jones) 01:02
7.	untitled 7 (matt jones) 03:51
8.	untitled 8 (matt jones) 04:03
9.	ohne titel (lv and mcj) 07:28
10.	natureforms I - Chris Kotchie read through 09:07
11.	Semantics of Redaction (Fran) 1st read through Vanessa Tomlinson 05:03
12.	Semantics of Redaction (Fran) 2nd read through Vanessa Tomlinson 08:47
13.	Semantics of Redaction (Hedges) 1st read through Vanessa Tomlinson 06:07
14.	here, apparently, there was time for everything (take 1) 07:00
15.	here, apparently, there was time for everything (take 2) 08:16
16.	here, apparently, there was time for everything (take 3) 09:13
17.	here, apparently, there was time for everything (take 4) 09:01
18.	here, apparently, there was time for everything (take 5) 07:39
19.	in nomine tenebris (electronic part) 11:23
20.	guitar orchestra piece (1st draft read) [2015] 06:38	info
21.	residual drift [2015] electronics part 08:02
22.	Nature Forms II (artificial field recording) 07:48
23.	improv Club Zho 115 with generative accompaniment 16:01
24.	bullfrogs and rain storm 06:36	info
25.	kuroinami electronics [2016] 09:10
26.	myburgh painted mirror rough mix 12:40
27.	opilka electronic model 10:49
28.	bascule (rehearsal 1) 06:57
29.	bascule (rehearsal 2) 06:56
30.	bascule (rehearsal 3) 06:55
31.	narrows underside (free) 08:07		download
32.	Iapetus ocean (rehearsal) 09:18
33.	mirovia ocean [2021] 07:34	info

released June 23, 2014

Lindsay Vickery Perth, Australia

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