We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/

about

This is my third work exploring the possibilities of independent control of the tempi of live performers using a computer. The work for the unusual instrumentation of clarinet, baroque violin and theorbo features a counterpoint of tempi in each player performs the same musical material. The independent changes in tempo together with changes in register make up the entire fabric of the composition. These divergences create a synchronized, but complex web of polyphony, suggesting the title that means “twittering” in English.

First Performed: Nadja Zwiener, Matthew Jones and Lindsay Vickery, 11 September 2005, Scintilla Divina Festival , Jena, Germany.

credits

from TECTONIC: chamber music VII [2004​-​2008], released October 30, 2012
Ensemble Scintilla Divina: Nadja Zwiener (violin), Lindsay Vickery (clarinet) and Matthew Jones (theorbo).

license

all rights reserved

tags

about

Lindsay Vickery Perth, Australia

contact / help

Contact Lindsay Vickery

Streaming and
Download help

Report this track or account

If you like Lindsay Vickery, you may also like: