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In this work, the improvisation of solo instrumentalist are analysed in real-time by computer and then used as the basis for a piano “accompaniment”. There are many variables both in the manner in which the sound is analysed and the manner in which the information is transformed into music. The computer moves unpredictably through these variables, creating a shifting kaleidoscope of textures for interaction between the soloist and the disklavier.

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from questions written on sheets of glass: chamber music IX [2011​-​2012], released October 30, 2012
Lindsay Vickery (bass clarinet [and disklavier])

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Lindsay Vickery Perth, Australia

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