We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/

about

Notions of continuity and disjunction inform these improbable games. The structure of the work consists of several moments of synchrony between the performers that emerge from their own fragmented components. The actual iteration of the formal structure is altered in each performance. To this end the score is generated in two modes: the first in which each measure (and the length of time it is to be played) is chosen at random and the second in which sequences of measures (and a fixed tempo) are displayed for the performer. In this sense it is an example of a “real-time” score, where the music appears before the musicians as they play it.

credits

from Transitions | Transformations: chamber music VIII [2009​-​2010], released October 30, 2012
Cat Hope (alto flute), Lindsay Vickery (bass clarinet), Tristen Parr (cello)

license

all rights reserved

tags

about

Lindsay Vickery image

Lindsay Vickery Perth, Australia

contact / help

Contact Lindsay Vickery

Streaming and
Download help

Report this track or account

If you like Lindsay Vickery, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Saxophonist Isaiah Collier chats about his new LP and the influence of Pharoah Sanders.
listen now